{"id":1360,"date":"2017-01-18T16:30:02","date_gmt":"2017-01-18T08:30:02","guid":{"rendered":"https:\/\/newsletter.tcu.edu.tw\/?p=1360"},"modified":"2023-09-21T09:47:34","modified_gmt":"2023-09-21T01:47:34","slug":"department-of-oriental-languages-and-literature-class-of-2012-presents-a-theatrical-performance","status":"publish","type":"post","link":"https:\/\/newsletter.tcu.edu.tw\/?p=1360","title":{"rendered":"Department of Oriental Languages and Literature, Class of 2012 Presents A Theatrical Performance"},"content":{"rendered":"

Text: Chia-Yi Lee
\n\"\"<\/a> \"\"<\/a>Translation: Steve J. Lin<\/p>\n

The Department of Oriental Languages and Literature, Class of 2012 presented a theatrical<\/a> performance<\/a> on December 19. This comedy \u201cSilver Plate and Radish\u201d is a work of a young Japanese playwright Yuta Matsuda, and it contains witty dialogues and an interesting story. The actors and actress used Japanese, and audience were able to keep up by watching Chinese subtitles, and they were amazed with this play. All seats were occupied, a total of more than 200 attended this event. Chief Secretary Sheng-Chieh Lin, Dean of the College of Humanities and Social Sciences De-Jane Chou, Chair of the Department of Oriental Languages and Literature Cheng-Wei Chang, Chair of the Department of Communication Studies Din Bang Chen, and Chair of the School of Post-Baccalaureate Chinese Medicine I-Hsin Lin were among them.<\/p>\n

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This is the 15th<\/sup> year for the Department of Oriental Languages and Literature to present a theatrical<\/a> performance<\/a>, Chief Secretary Lin said: \u201cThe theatrical<\/a> performance<\/a> has become department\u2019s tradition, and TCU is happy to have this annual event, as it reflects our students\u2019 learning. I wish that our students will gain more confidence and do things vigorously.\u201d<\/p>\n

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Professor Li-Hsiou Huang and Professor Akiyoshi Yaotani were with students from the beginning to the end. Professor Huang said that the actors and actresses were graduating seniors who used their Japanese language, acting and body language to play their roles. Other students took part in playwright<\/a>ing,\u00a0practice, making of costumes and scenery, operating lighting and sound. The results reflected students\u2019 learning and their faculty\u2019s endeavors. Throughout the whole process, students worked together and helped each other, as they regularly do.<\/p>\n

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\u201cSilver Plate and Red Radish\u201d is a 90 minute work of Yuta Matsuda,\u201d and it is popular in Japanese high schools and colleges. The story portrays Daisuke as a poor college student who thinks negatively, and meets a girl named Chika, who hungers for freedom. They have quite different personalities, and yet, surprisingly their souls exchange bodies, and thus chaos follows chaos. Will they pass through these challenges? Will their souls go back to their own bodies? This is an interesting play, and it points out many issues facing the current young generation.<\/p>\n

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Yan-Jun Xu played the role of Daisuke. After going into Chika\u2019s body, Yan-Jun switched to Chika\u2019s role. It was a big challenge for Yan-Jun, since he needed to be familiar with both male and female expressions, and good at acting as a male as well as a female. In Japanese, expressions for a male and a female are quite different, and the most difficult part was to play Daisuke and Chika, who are so different in personality. Yu-Jun Zheng played Chika, and she felt very hard to imitate Yan-Jun\u2019s interpretation of Daisuke. Thus, Yan-Jun explained to her in detail how he played Daisuke; Yu-Jun did the same, so each one of them was able to play two roles skillfully before audience.<\/p>\n

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Pin-Xuan Wu was in charge of this theatrical<\/a> performance<\/a>, Shi-Ya Chen was director, Yan-Jun Xu, Yu-Jun Zheng, Ji-Cheng Pan, Wan-Tian Ji, Ya-Yu Yang, and Jian-Hong Lin were the actor and actress, respectively. Through this play, students had a chance to study more Japanese culture, apply what they learned in the class, and share both with the audience.<\/p>\n

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Text: Chia-Yi Lee Translation: […]<\/p>\n","protected":false},"author":1,"featured_media":1361,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-1360","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-4","clearfix"],"_links":{"self":[{"href":"https:\/\/newsletter.tcu.edu.tw\/index.php?rest_route=\/wp\/v2\/posts\/1360","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newsletter.tcu.edu.tw\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newsletter.tcu.edu.tw\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newsletter.tcu.edu.tw\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/newsletter.tcu.edu.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1360"}],"version-history":[{"count":1,"href":"https:\/\/newsletter.tcu.edu.tw\/index.php?rest_route=\/wp\/v2\/posts\/1360\/revisions"}],"predecessor-version":[{"id":11376,"href":"https:\/\/newsletter.tcu.edu.tw\/index.php?rest_route=\/wp\/v2\/posts\/1360\/revisions\/11376"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newsletter.tcu.edu.tw\/index.php?rest_route=\/wp\/v2\/media\/1361"}],"wp:attachment":[{"href":"https:\/\/newsletter.tcu.edu.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1360"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newsletter.tcu.edu.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1360"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newsletter.tcu.edu.tw\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1360"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}